Two studies use artificial intelligence to analyse ‘old master’ painting and return opposite verdicts
Authenticating works of art is far from an exact science, but a madonna and child painting has sparked a furious row, being dubbed “the battle of the AIs”, after two separate scientific studies arrived at contradictory conclusions.
Both studies used state-of-the art AI technology. Months after one study proclaimed that the so-called de Brécy Tondo, currently on display at Bradford council’s Cartwright Hall Art Gallery, is “undoubtedly” by Raphael, another has found that it cannot be by the Renaissance master. Continue reading...
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